MOVIE: LES MISERABLES – A New Life

by Randall Allen Dunn
Some people will never believe you can change.
Having known you at your worst, they expect little of you. Little success, little achievement, little desire to do what’s right. They’ve already labeled you, based on your previous crimes, and nothing will remove that label from their minds.
The 1998 film, “Les Misérables”, shows us such a person in Inspector Javert (Geoffrey Rush), a hard-nosed officer pursuing justice by the book. He has no qualms about admitting his own parents were criminals themselves, or the fact he is convinced they cannot change their ways. In his opinion, it has been proven that criminals cannot change.
Which is why he refuses to believe any such change has taken place in Jean Valjean (Liam Neeson), the paroled convict he now suspects is pretending to be reformed while acting as mayor of Vigau.
Javert doesn’t know what happened to Jean Valjean shortly after his parole. That he spent the night at a church, where Bishop Myriel (Peter Vaughan) welcomed him in, though he knew Valjean was a convict. That Valjean talked about becoming a new man, but his limited job prospects led him to steal the church’s silverware instead.
That he lied to the police who caught him, saying the bishop gave him the silverware. That the police joked about his lie when they brought him to the bishop in handcuffs.
But Bishop Myriel told them it was true he gave Valjean the silverware, but was angry with him because he forgot to also take the silver candlesticks, which are far more valuable.
The police released the stunned Valjean, who privately asked Bishop Myriel why he was doing this. The bishop reminded Valjean he had promised to become a new man. “Jean Valjean, my brother. You no longer belong to evil. With this silver, I’ve bought your soul. I’ve ransomed you from fear and hatred. And now I give you back to God.”
This was how Valjean received the freedom and the means to start a new life, and the conviction to make it a good one. Not one of anxiety and thievery, but one of kindness and charity, giving the best of himself for the rest of his days.
But if Javert had known this, it wouldn’t have mattered. He would still insist that everyone is born as either a criminal or a law-abiding citizen, and destined to die as such.
After Javert spends years hunting him down, Valjean finally gets the chance to do away with him and live his life in peace. A group of revolutionaries capture Javert and plan to kill him, but Valjean insists on having that pleasure himself. He takes Javert to a back alley where no one can see them and asks Javert why he keeps chasing him across the country. Javert warns Valjean he’ll never stop hunting him, so his only chance for freedom is to murder him, like any other criminal would. So Valjean draws his gun … and fires into the air. “You’re dead, Javert,” he says, and walks away.
Javert finally catches Valjean as he is escaping through the sewers with Marius (Hans Matheson), a wounded revolutionary who is in love with Valjean’s adopted daughter, Cosette (Claire Danes). Valjean persuades Javert to release Marius, since he is the one Javert wants. Javert permits Valjean to take Marius home to let Cosette care for him.
Meanwhile, Javert sits and thinks about Valjean, who served as a benevolent mayor in Vigau and then as a father and upstanding figure in Paris, organizing a soup line for the poor. When Valjean returns, Javert confesses privately to him that he cannot make sense of Valjean’s kindness and law-abiding nature, given his criminal background. “It’s a pity the rules don’t allow me to be merciful,” he says. “I’ve tried to live my life without breaking a single rule.”
He confirms that Valjean does not wish to return to prison life, then offers to spare him that torture. Valjean agrees, and waits for Javert to shoot him.
Instead, Javert releases Valjean and places Valjean’s handcuffs on his own wrists. Valjean stares in shock, as Then Javert plunges backward into the Seine River, drowning himself.
This film pares away many elements of the original Les Misérables novel and presents a clear illustration of the gospel: “Therefore, there is now no condemnation for those who are in Christ Jesus. Because through Christ Jesus the law of the spirit of life set me free from the law of sin and death.” Romans 8:1-2
Those who live by the spirit of the law can’t understand those who live by a spirit of life and grace. Jean Valjean received grace and spent his life extending that grace to others. Javert tried to live according to the letter of the law. But when his life no longer made sense – when he couldn’t justify either condemning or freeing Valjean – he condemned himself instead. As the Bible also says, “Speak and act as those who are going to be judged by the law that gives freedom, because judgment without mercy will be shown to anyone who has not been merciful. Mercy triumphs over judgment!” James 2:12-13.
According to the Bible, no one can become righteous by making their best moral choices. Righteousness is given by God as a free gift, the same way Bishop Myriel freely released Jean Valjean into a new life, free of condemnation for his past crimes. When someone receives this gift of freedom, they can live a new life, bestowing that same grace on others. But when someone like Javert insists on pursuing righteousness by upholding the letter of the law, they end up condemning those who live by grace. Their own self-righteous efforts ultimately fail, and the spirit of life and grace puts the spirit of the law to death.
If you have made such a change in your life, don’t wait for people like Javert to accept you. Some people simply never will. But you don’t really need others to understand your new life or give their approval. You just need to focus on maintaining the change you’ve been blessed with.
That’s the reason you’ve been given a new life: so you can live it.
Find more reviews of “Les Misérables” at amazon.com!
FAST READ!
A Simple Mistake – a suspense short story
by Randall Allen Dunn
Sybil Strang can’t help being suspicious of the nervous man loitering in the convenience store at closing time. But did she really see a gun inside his rolled-up newspaper?
Young Sybil Strang is ready to close up Quick’s Convenience Store when a man with a scraggly beard enters and begins wandering the aisles. A man who might be hiding a gun.
But with the deputy just five minutes away and a phone in the back room, there’s no reason to panic. As long as Sybil was right about what she saw …
Tuesday, January 1st, 2013

When we experience a tragic loss, it becomes very difficult to think about anything other than our own suffering. It’s hard to get our eyes off of ourselves to think about anything else. People suggest we throw ourselves into our work or lean on family and friends for comfort. Sometimes those things help.
Bethany is in good spirits, but doesn’t feel much like a miracle. Having only one arm makes it difficult to even tie her hair back, let alone put on her bathing suit.
Bethany’s mother, Cheri (Helen Hunt), is willing to let her quit surfing if she wants to. But her father, Tom (Dennis Quaid), refuses to accept it, which leads both parents into a frustrated argument.
Tom finally sees Cheri’s point, and soon approaches Bethany as she sulks alone on the beach.
Bethany had previously backed out of a commitment to join a short-term mission with her church youth group, which greatly disappointed her youth leader, Sarah Hill (Carrie Underwood). Now, with time on her hands and a readiness to explore new opportunities, Bethany joins a new mission with the group to help rebuild a devastated community in Thailand that was struck by a tsunami. While there, she hears one woman’s story of how she lost her entire family to the tidal wave. Bethany is overwhelmed as she realizes that others have suffered and lost far more than she did.
When she asks about all the abandoned surfboards set on the beach, Bethany learns that the people are all too shaken by the tidal wave to return to the water. One boy won’t even speak or tell anyone his name. Bethany coaxes the boy into the water, grabbing a board and splashing around until he joins her. Soon everyone is heading back into the waves they feared. Bethany’s love of the water enabled her to inspire others in a way no one else could.
Returning from her trip, Bethany learns she has inspired fans all over the world who are ready to cheer her on in her next competition. Many of them are kids with missing limbs who are following her example. Bethany can’t understand how she inspired anyone by failing so badly in her competition, but Cheri tells her that people like the fact that she tried.
Bethany decides to rejoin the world of competitive surfing, and Tom designs a handle for her surfboard that will allow her to hold onto it when she dives under the surface to reach the larger waves. With new confidence and a new drive, Bethany pushes on to compete, and ultimately to achieve her dream of becoming a professional surfer.
When we suffer a major loss, it’s hard to get a deeper perspective on life. Swallowed by our all-consuming pain, we can’t see the hurdles that others have to overcome.


The deputies of Albany, Georgiameet the man, Nathan Hayes (Ken Bevel), and learn he is scheduled to join their force the next day. His dangerous act later leads them to wonder whether they would have risked their own lives to save their kids that way.
At home that night, Deputy Adam Mitchell (Alex Kendrick) rejects the persistent requests of his teenage son, Dylan (Rusty Martin), to join him in a father-son 5K race. Adam sees no need to exhaust himself just so they can spend time together. Later, he takes his daughter, Emily (Lauren Etchells), onto his lap to spend time with her. When the son walks back into the room and sees this, he knows instantly that she is the favorite child. Still, Adam chooses not to look foolish by dancing with Emily in public even when she begs him.
Meanwhile, Nathan works hard to protect his family, especially his teenage daughter, Jade (Taylor Hutcherson), who sees his no-dating policy as far too strict and old-fashioned. Having never known his biological father, Nathan is determined to be a good father to his own kids.
But when Adam tries to encourage Dylan in their shared grief, he encounters a cold stone wall. Dylan wants nothing to do with him, since Adam wanted nothing to do with Dylan before the accident. Dylan refuses to form a phony father-son bond or become a “replacement” child.
Their passion for this commitment provokes a rookie deputy, David Thomson (Ben Davies), to confess that he is also a father, but had abandoned his girlfriend after she refused to have an abortion. Encouraged by Nathan, he writes to his estranged girlfriend and ultimately receives her permission to become involved in his daughter’s life again, to be as much of a father to her as he can be.
Adam starts restoring his broken relationship with Dylan, by taking him out to buy two new pairs of running shoes so they can start training for the father-son race. Meanwhile, Nathan takes Jade out for a special dinner, and gives her a purity ring that she is to wear until her wedding day, promising her heart to her father to save herself for the right man. This time, Jade doesn’t find it intrusive or old-fashioned, but understands how special she is to her father, and that any man she marries should honor her the same way.
Javier starts a new job and is finally making enough money to keep his family stable. But when his new employer offers him a promotion and also asks him to falsify some warehouse records, Javier and his wife, Carmen (Angelita Nelson), fear that if he refuses, his integrity will cost him the only real income they can count on. Committed to staying honest, Javier tells his employer he cannot play along. He is then informed that the request was a test, which several other employees before him had failed. Javier’s personal integrity ends up earning him a promotion.
Like it or not, children look to their fathers to set an example in life. To show us how to live responsibly with strength, conviction and compassion. Those who fail to set such an example are simply setting an example of apathy for their kids, that such standards don’t really matter.


I’m not against stardom. After all, I hope to make a living one day as a writer. But I’m very much against people refusing to face reality because they think they’re above it. Anyone who has achieved lasting celebrity status had to make sacrifices and work hard for it – something that many of today’s “legends in their own mind” don’t grasp.
At the same time, as I grew up, there were certain lines I would simply never cross. I generally did not mouth off to my parents. I didn’t do drugs or smoke. I didn’t drink before I was of legal age, and I seldom drink now. I wasn’t a perfect kid, but I avoided a lot of things I could have gotten involved in, because they had “danger signs” that told me they would lead me into a trap.
In the film, an elder toymaker named Geppetto, having no children of his own, wishes on a star for his latest puppet creation, Pinocchio, to transform into a real human boy. While Geppetto sleeps, a Blue Fairy appears in his toy shop and grants his wish, bringing Pinocchio to life. She tells Pinocchio he has been given a gift, but is still a mere puppet. To become a real boy, he must prove himself to be “brave, truthful and unselfish” by learning to choose wisely between right and wrong. Pinocchio promises to do so, with the help of his new friend, Jiminy Cricket, who volunteers to be Pinocchio’s “conscience”, since Pinocchio has no idea what a conscience is.
But along the way, Pinocchio runs into two slick con artists that have “Bad Influence” written all over them: a fox named Honest John and a cat named Gideon. (For most of today’s children, meeting a talking fox and cat would be creepy enough to make them keep walking, but Pinocchio has a wooden brain.)
Pinocchio swallows their lies and lets them sell him to Stromboli, a puppeteer who makes Pinocchio the star of his show.
He doesn’t want to confess that he disobeyed Geppetto by skipping school to become a puppet stage star.
Pinocchio buys their lies again, ditching his “conscience” Jiminy for the excitement of what Honest John calls freedom. On the wagon ride to Pleasure Island, he meets his new best friend, Lampwick. (When a kid in a story is named “lamp wick”, you know he won’t last for long.) Lampwick is the poster child for Pleasure Island, ready to break windows and play all day, doing everything that grown-ups tell him not to. He wants to experience all the fun in life that he figures the adults are keeping him from.
Every boy who comes there to waste his life away soon finds it taken from him, as he is transformed into a donkey, then shipped away as a beast of burden to various countries.
Pinocchio arrives home, his foolish choices evident by his long ears and dragging tail. But Geppetto is gone. A letter from the Blue Fairy informs him that Geppetto went searching for him again, but was swallowed by the fearsome whale named Monstro. Pinocchio and Jiminy head out to sea to rescue Geppetto from the whale’s belly. They are soon swallowed by Monstro, too. Reunited with Geppetto, Pinocchio builds a fire inside the whale’s mouth, forcing it to sneeze them out.
As Monstro pursues them, Pinocchio gets Geppetto to safety in an undersea cave, just before the whale smashes into the cliff face. He saves Geppetto and the others, but dies in the attempt.
Let’s face it, “Pinocchio” is a frightening movie about the dangers of making bad choices. But sometimes, we need to recognize the danger of a pit so that we don’t foolishly fall into it. It’s easy to dream up a perfect life for ourselves, where we achieve stardom, win the lottery, and everybody loves us, as we kick up our feet and soak it all in.
Life isn’t as easy as rock stars and supermodels might make it seem. We love to hear about the mansions they live in, the fast cars they drive, and the people clamoring for their autograph. We’re not so interested in hearing about their fourteen-hour work days on the set, the desserts they had to give up, or the lack of privacy and a genuine social life. Even the rich and famous have to work, and their privileges typically come with a price.
Here I am again in the room with the cages. A strange emotion makes me pause on the threshold. I now see these creatures in a new light. It is with anguish that I wonder, before making up my mind to enter, if they will recognize me after my long absence. Well, they do recognize me. All their eyes are fixed on me, as they always used to be, and even with a sort of deference. Am I dreaming or do I really discern a new look in them, a look reserved for me and different from the glances they bestow on their ape warders? 
The debate over creation vs. evolution is more than a matter of scientific data vs. religious dogma. It’s about who we believe ourselves to be.
Many people claim to have determined that God does not exist, based on scientific research – excluding all other forms of research that are normally used to form a conclusion. However, these same people readily deny any evidence or line of reasoning that contradicts their conclusions. In other words, their scientific “dogma” prevents them from staying open to the truth, preferring instead to settle into a comfortable belief that insures them against having to deal with an all-powerful Creator.
If you believe you are a product of natural selection, and that you happened to evolve into the creature you now are, you will see yourself as an animal, not much different than other animals. The only difference is that you sprang from apes that “chose” to evolve, whereas other apes did not. (I still don’t grasp how an animal can “choose” to evolve into anything, when they are all presumed to be the product of natural selection instead of design, but maybe I just haven’t thought this through as much as those clever scientists who believe in evolution by choice.)
Ulysse is captured and treated like an animal for some time, unable to address his captors in their own language, to convince them that he is intelligent. When a female ape, Zira, notices Ulysse’s ability to speak a few simian words, she realizes that he is not like other savage men, but capable of thought and decisions. She soon discovers that his intelligence compares to her own, and begins teaching him how to speak the simian language so that he can communicate.
But Zaius, another ape scientist like Zira, refuses to concede that a human could be capable of such abilities. He insists that Ulysse’s speech and activities are mere mimicry, like tricks taught to a clever pet.
But when Ulysse learns that the other surviving member of his party, Professor Antelle, has been captured and is being kept in a local zoo, he asks Zira and Cornelius to take him there. He finds the professor naked and acting like all of the other humans in his cage. Ulysse tries to explain to him that he has secured their freedom, and the professor no longer needs to behave like an animal. But his speech, actions and clothing only frighten the professor. After being locked up with all of these other “human animals” for months, he has begun to act just like them. After being treated like an animal and taught that he is one, the professor has come to fully believe it, and to act accordingly. His belief became so firmly entrenched that he could not see himself as being anything else.


It’s easy to be jealous of people. Wishing you had the talent, the money, or the attention that seems to come so easily to
Meanwhile, Lucy longs to be seen as attractive, like her older sister, Susan (Anna Popplewell), who never seems to have trouble getting a boy’s attention. When she and Edmund are swept back into Narnia, she chances upon a book of ancient spells, finding one for making herself beautiful. She eagerly recites the incantation, and steps in front of a mirror to see … Susan! She has become her drop-dead gorgeous sister, just as she had hoped!
She then steps outside, joining guests at an English garden party, where her brothers Edmund and Peter (William Moseley) are delighted to see her. However, they keep calling her “Susan”. When she asks about Lucy, her brothers have no idea who she’s talking about. Nor do they know anything about a place called Narnia, though it had always been the most wonderful secret shared among the siblings.
Realizing she has made a terrible mistake, Lucy struggles to free herself from the nightmare of non-existence, and immediately runs into Aslan (Liam Neeson), the great lion who rules all of Narnia. Aslan asks Lucy if she realizes what she has done. He reminds her that her siblings only knew of Narnia at all because she had discovered it and led them in. In her desire to become more like Susan, Lucy became less and less like herself. Until she ceased to exist altogether. Only then does she realize that she is valuable just for who she is – as Lucy – and being less like Susan doesn’t make her any less important.
A friend at church recently stated that God knows our complete destiny and has already “taken the picture” – we are simply waiting for it to develop. Hearing this, I realized that there was plenty of room for me to achieve success, just as others had done before me. Recognizing this, I could be more appreciative of what those other people had accomplished in pursuing their dreams, because each of those people, and their individual achievements, have great value in this world. When my future works finally “develop” and are published, they will also have great value. But I have great value now, as a husband, father, teacher and friend. It’s wrong to have a low opinion of the things I already do, and the place I already hold in life, because I am already a great blessing to others.
In a world 
Rev. Hill also urges more volunteer leadership from church members, an idea that backfires when he puts Mrs. Rafferty (Patsy Kelly) in charge of church funds. She soon confesses that her husband tried to increase it by betting the entire fund on a horse race. Rev. Hill tries to retrieve the money, but the underground gambling operators lock him outside without his pants. He returns to the gambling den later, but a long delay from corrupt police allows the criminals to cover their tracks.
When Anne criticizes him for using the church to serve his own purposes, Rev. Hill insists that he’s trying to fulfill the purpose of the church. “If the church is not a moral force in the community, then it’s just another building with stained glass windows and a steeple!” he argues. But the presbytery swiftly reprimands him for using the television prayer slot as a political platform.
Rev. Hill agrees, but he can’t find any church members willing to take the risk. Except for a handful of supportive women: the elder Mrs. Rafferty; unaware, well-to-do Claire (Cloris Leachman); bride-to-be Jane (Karen Valentine); tough, practical-minded Cleo (Virginia Capers); and neighborhood mom Vickie (Barbara Harris). Willing to try a fresh angle, the chauvinistic Agent Fogleman confides to Rev. Hill, “When you think about it, who would suspect a bunch of ding-a-ling dames?” Still, he has little confidence in their abilities for the task.
Sadly, these women have no idea how to follow a suspect. When Fogleman asks Jane which direction a car is traveling, she tells him, “Towards that new boutique.” Vickie isn’t at her assigned position, because she forgot she’s escorting kids to a baseball game. And Cleo’s car – borrowed from her husband’s junkyard dealership – won’t even start. On another day, all the women follow their suspect in a single file line, and Claire ends up ramming into the suspect’s car.
Fogleman is so upset that his doctor places him on bedrest to calm his nerves. Rev. Hill secures permission to man the radio operations, and continues to lead the women from his office. Anne is outraged when she realizes they’re all risking their lives over this crazy crusade, and resigns as Hill’s secretary.
That night, the criminals bomb the North Ave Presbyterian Church building. Rev. Hill and Anne are both stunned. “I never dreamed that they’d do this,” Rev. Hill says, anticipating Anne’s righteous judgment for his recklessness. Instead, she tells him, “I was so wrong. Mike, I want to fight them with you.” Anne realizes that the threat is real, and must be stopped at any cost. Sticking to her old ways would mean letting the criminals steamroll over her beloved church and community.
Meanwhile, the women persist in chasing down Roca’s men, continuing to improve and advance against them. One of Roca’s men complains that “they ain’t as easy to shake as they used to be.”

He enters a desert town reminiscent of the Wild West, run by a man named Carnegie (Gary Oldman). Carnegie is struggling to re-build society by force, but he wants his citizens to submit to his rule willingly. Which is why he’s sent men out to find a Bible, to help everyone renew their hope for change. Carnegie knows that people need to find the right words to direct the faith they still retain in their hearts, and he wants to be the one to control that faith.
Eli prays, “Dear Lord, we thank you for this meal. We thank you for a warm bed and a roof over our head on cold nights such as this. It’s been too long. We thank you for the gift of companionship in hard times like these. Amen.”
When Carnegie discovers that Eli is carrying a Bible, he urges him to surrender it, for the good of society. Eli plans to do just that, but he doesn’t trust Carnegie’s plans for the Bible.
“What did this voice say?” she presses.
“I didn’t think you’d ever give up the book,” Solara tells him later. “I thought it was too important to you.”
They will explain that they “tried religion” and God let them down. Or that God could never forgive all the wrongs they have done in their life. Or that if God is anything like their abusive human father, they don’t want to know a “Father in Heaven”. Put simply, most atheists simply lost faith in anything supernatural, and rather than confess their personal disappointment with life, they created intellectual arguments that made them feel they had attained a higher level of intellect than someone who does believe.
Carnegie’s little empire ultimately falls apart, as his wounds get the best of him and his soldiers begin taking over. In Carnegie’s lawless world, might equals right. There is no sense of honor, even among thieves. Only bullies with guns, ruling until a bigger bully comes along. His kingdom collapses just like that of Ne
Leigh Anne Tuohy (Sandra Bullock) lives a very comfortable life. She has money, a loving husband and children, an enjoyable career – everything that we all strive for. Who would have imagined – least of all Leigh Anne herself – that she wasn’t fulfilled? What more could she possibly want?
Thankfully, Michael does nothing to harm them or their belongings. In fact, he has folded the blankets Leigh Anne gave him and started a long walk back to town. Leigh Anne stops him and invites him in for Thanksgiving dinner with her family.
What she’s been missing was the chance to connect with someone who lived a completely different life. Not out of pity for what seems like less-fortunate circumstances, but out of a need to connect with people. People who see life differently. Who prize the things that she takes for granted in her seemingly perfect home life.
When an
But Michael has changed, and he can’t stomach his former friends’ insinuations about the Tuohys. He breaks ties with them, even as Leigh Anne scours the streets searching for Michael. She finally finds him, and assures him that she wants him to make his own choices about college. And that his choice has no impact on how they view him or whether they accept him.

Hardened by his own experience with war and suffering, the film’s hero, John Rambo (Sylvester Stallone), has once more settled into obscurity in Thailand, capturing snakes to sell to local event promoters. Once a Green Beret who fought in Vietnam, Rambo has had enough of the wo
When he’s approached by Michael Burnett (Paul Schulze), a Christian missionary who asks him to transport a small missionary team into Burma, Rambo turns him down cold. “Burma’s a war zone,” he tells Michael.
Sarah Miller (Julie Benz), one of the other missionaries, disagrees. She persists in hounding Rambo, since his boat is the only one that can take them into Burma. “Maybe you’ve lost your faith in people,” she challenges. “But you must still be faithful to something. You must still care about something. Maybe we can’t change what is, but trying to save a life isn’t wasting your life, is it?”
In no time, a run-in with B
Until their mission is attacked by Burmese soldiers, who capture the missionaries and shoot down innocents, including women and children and wounded men. Learning of this, Rambo joins a group of mercenaries, who help rescue the missionaries, freeing everyone to go back where they came from
